• Written by a panel of international experts
• Focuses on religious life as it was experienced by Greek men and women at different times and in different places
• Features major sections on local religious systems, sacred spaces and ritual, and the divine

The foremost historian of Greek religion provides the first comprehensive, comparative study of a little-known aspect of ancient religious beliefs and practices. Secret mystery cults flourished within the larger culture of the public religion of Greece and Rome for roughly a thousand years. This book is neither a history nor a survey but a comparative phenomenology. Concentrating on five major cults. In defining the mysteries and describing their rituals, membership, organization, and dissemination, Walter Burkert displays the remarkable erudition we have come to expect of him; he also shows sensitivity and sympathy in interpreting the experiences and motivations of the devotees.

When St. Paul and St. Peter reached Rome they encountered a state-sponsored religion that had been established for centuries. Amid the shrines and temples of Rome, the Romans sought to preserve and strengthen a religion especially suited to the ambitious city. But Roman religion had also proved permeable to many influences, from Greece, Egypt, Persia, and other parts of Italy. What then was truly Roman, and what had Romans done with their borrowings to stamp them with Roman character?

By exhaustive study of texts, inscriptions, and archaeology of Roman sacred places, Dumezil traces the formation of archaic Roman religion from Indo-European sources through the development of the rites and beliefs of the Roman republic. He describes a religion that was not only influenced by the other religions with which it came into contact, but influenced them as well, in mutual efforts to distinguish one nation from another. Even so, certain continuities were sustained in order to achieve a religion that crossed generations and ways of life. The worship of certain gods became the special concerns of certain parts of society, all of which needed attention to assure Rome's success in war, civil administration, and the production of food and goods.

When St. Paul and St. Peter reached Rome they encountered a state-sponsored religion that had been established for centuries. Amid the shrines and temples of Rome, the Romans sought to preserve and strengthen a religion especially suited to the ambitious city. But Roman religion had also proved permeable to many influences, from Greece, Egypt, Persia, and other parts of Italy. What then was truly Roman, and what had Romans done with their borrowings to stamp them with Roman character?

By exhaustive study of texts, inscriptions, and archaeology of Roman sacred places, Dumezil traces the formation of archaic Roman religion from Indo-European sources through the development of the rites and beliefs of the Roman republic. He describes a religion that was not only influenced by the other religions with which it came into contact, but influenced them as well, in mutual efforts to distinguish one nation from another. Even so, certain continuities were sustained in order to achieve a religion that crossed generations and ways of life. The worship of certain gods became the special concerns of certain parts of society, all of which needed attention to assure Rome's success in war, civil administration, and the production of food and goods.

In this definitive assessment of the various representations and approaches to Athena, Susan Deacy does what no other has done before and brings all the aspects of this legendary figure into one, outstanding study.

A survey of one of the most enduringly popular of ancient deities, the book introduces Athena’s myth, cult and reception, while directing the reader to detailed discussion as and when it is appropriate.

Students will find it a great help in their studies, and for the general reader with an interest in the ancient world and for those from related disciplines such as literature, art history and religion, it provides a mine of information and insight into this fascinating classical figure.

Black Atlantic Religion illuminates the mutual transformation of African and African-American cultures, highlighting the example of the Afro-Brazilian Candomblé religion. This book contests both the recent conviction that transnationalism is new and the long-held supposition that African culture endures in the Americas only among the poorest and most isolated of black populations. In fact, African culture in the Americas has most flourished among the urban and the prosperous, who, through travel, commerce, and literacy, were well exposed to other cultures. Their embrace of African religion is less a "survival," or inert residue of the African past, than a strategic choice in their circum-Atlantic, multicultural world.

With counterparts in Nigeria, the Benin Republic, Haiti, Cuba, Trinidad, and the United States, Candomblé is a religion of spirit possession, dance, healing, and blood sacrifice. Most surprising to those who imagine Candomblé and other such religions as the products of anonymous folk memory is the fact that some of this religion's towering leaders and priests have been either well-traveled writers or merchants, whose stake in African-inspired religion was as much commercial as spiritual. Morever, they influenced Africa as much as Brazil. Thus, for centuries, Candomblé and its counterparts have stood at the crux of enormous transnational forces.

Vividly combining history and ethnography, Matory spotlights a so-called "folk" religion defined not by its closure or internal homogeneity but by the diversity of its connections to classes and places often far away. Black Atlantic Religion sets a new standard for the study of transnationalism in its subaltern and often ancient manifestations.

James H. Breasted (1865-1935) was the foremost influence in introducing Americans to the culture of ancient Egypt. He founded the Oriental Institute at the University of Chicago and was the author of History of Egypt and Ancient Times: A History of the Early World, among other works.

No other god of the Greeks is as widely present in the monuments and nature of Greece and Italy, in the sensuous tradition of antiquity, as Dionysos. In myth and image, in visionary experience and ritual representation, the Greeks possessed a complete expression of indestructible life, the essence of Dionysos. In this work, the noted mythologist and historian of religion Carl Kernyi presents a historical account of the religion of Dionysos from its beginnings in the Minoan culture down to its transition to a cosmic and cosmopolitan religion of late antiquity under the Roman Empire. From the wealth of Greek literary, epigraphic, and monumental traditions, Kernyi constructs a picture of Dionysian worship, always underlining the constitutive element of myth.

Included in this study are the secret cult scenes of the women's mysteries both within and beyond Attica, the mystic sacrificial rite at Delphi, and the great public Dionysian festivals at Athens. The way in which the Athenian people received and assimilated tragedy in its immanent connection with Dionysos is seen as the greatest miracle in all cultural history. Tragedy and New Comedy are seen as high spiritual forms of the Dionysian religion, and the Dionysian element itself is seen as a chapter in the religious history of Europe.

The Sanctuary of Eleusis, near Athens, was the center of a religious cult that endured for nearly two thousand years and whose initiates came from all parts of the civilized world. Looking at the tendency to "see visions," C. Kerenyi examines the Mysteries of Eleusis from the standpoint not only of Greek myth but also of human nature. Kerenyi holds that the yearly autumnal "mysteries" were based on the ancient myth of Demeter's search for her ravished daughter Persephone--a search that he equates not only with woman's quest for completion but also with every person's pursuit of identity. As he explores what the content of the mysteries may have been for those who experienced them, he draws on the study of archaeology, objects of art, and religious history, and suggests rich parallels from other mythologies.